“Ridgway’s post-Wall of Voodoo output has, if anything, cemented his neo-noir rep as one of American music’s greatest storytellers, the wild and wily Steinbeck of sad whiskey railroads and rusted, ramshackle American dreams.” AUSTIN CHRONICLE “Truly modern, 21st century folk music, Ridgway’s dark, tall tales often take place in the microcosmic miasma of L.A. and its outer desert, where his characters try to wrest meaning from the beautiful catastrophe of their lives.” UNCUT